Difference between revisions of "February 26, 2005"

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=A Warhorse, Again=
 
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    <tr><td><div align="center" class="main_sm">Image Credit: [mailto:richard@astrofotografie.nl Richard Bosman]</p>
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<p align="center"><b>A Warhorse, Again</b></p>
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<p align="center"><b>A Warhorse, Again</b></p>
<p align="left">At classical music radio stations (a dying breed), program directors refer to <i>The 1812 Overture, Beethoven&#8217;s 9th symphony, Capriccio Italian</i>, and similar popular classics as <i>warhorses</i>. These very well known compositions are guaranteed crowd pleasers, but playing them reduces opportunities to hear other interesting, but less famous music. If the Moon has warhorses, they include Copernicus, Plato, Clavius, Tycho and Gassendi. But another wonderful image of Gassendi shares the same virtue of a great rendition of a musical warhorse &#8211; it exhibits new appreciation for the details and subtleties of an old friend. This image nicely illustrates the complex system of rilles, but let&#8217;s looks at what is left of the inner wall. Unlike a large fresh crater with massive terraces stepping down to the floor, Gassendi&#8217;s walls &#8211; where they exist - have subdued and rounded ridges and hills. How do sharp-scarped terraces get so ruined? Is it from seismic jostling from subsequent impacts, both nearby and Moon-wide? Or is it from the constant barrage of very small impacts that act like a river&#8217;s erosion, slowly rounding and carrying away asperities? I think I favor the former view because although Gassendi&#8217;s walls are heavily modified, its central peaks seem much less so. And there is direct evidence of the effects of nearby impacts. Notice the 33 km wide Gassendi A that just breaks Gassendi&#8217;s northern rim. Look how A&#8217;s impact has dislodged and smoothed a broad portion of Gassendi&#8217;s inner wall. That was an instantaneous bit of terrace ageing!</p>
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<p align="left">At classical music radio stations (a dying breed), program directors refer to <i>The 1812 Overture, Beethoven&#8217;s 9th symphony, Capriccio Italian</i>, and similar popular classics as <i>warhorses</i>. These very well known compositions are guaranteed crowd pleasers, but playing them reduces opportunities to hear other interesting, but less famous music. If the Moon has warhorses, they include Copernicus, Plato, Clavius, Tycho and Gassendi. But another wonderful image of Gassendi shares the same virtue of a great rendition of a musical warhorse &#8211; it exhibits new appreciation for the details and subtleties of an old friend. This image nicely illustrates the complex system of rilles, but let&#8217;s looks at what is left of the inner wall. Unlike a large fresh crater with massive terraces stepping down to the floor, Gassendi&#8217;s walls &#8211; where they exist - have subdued and rounded ridges and hills. How do sharp-scarped terraces get so ruined? Is it from seismic jostling from subsequent impacts, both nearby and Moon-wide? Or is it from the constant barrage of very small impacts that act like a river&#8217;s erosion, slowly rounding and carrying away asperities? I think I favor the former view because although Gassendi&#8217;s walls are heavily modified, its central peaks seem much less so. And there is direct evidence of the effects of nearby impacts. Notice the 33 km wide Gassendi A that just breaks Gassendi&#8217;s northern rim. Look how A&#8217;s impact has dislodged and smoothed a broad portion of Gassendi&#8217;s inner wall. That was an instantaneous bit of terrace ageing!</p>
<blockquote><p align="right">&#8212; [mailto:chuck@observingthesky.org Chuck Wood]</blockquote>
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<blockquote><p align="right">&#8212; [mailto:tychocrater@yahoo.com Chuck Wood]</blockquote>
 
<p align="left"><p><b>Technical Details:</b><br>
 
<p align="left"><p><b>Technical Details:</b><br>
 
C11 + 3X Televue Barlow + ATK-2HS; 2x150 frames.</p>
 
C11 + 3X Televue Barlow + ATK-2HS; 2x150 frames.</p>
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<br>Rukl Plate 52.
 
<br>Rukl Plate 52.
 
<p align="left"><b>Tomorrow's LPOD: </b> One Crater&#8217;s Nomenclature</p>
 
<p align="left"><b>Tomorrow's LPOD: </b> One Crater&#8217;s Nomenclature</p>
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<p align="center" class="main_titles"><b>Author &amp; Editor:</b><br>  
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<p align="center" class="main_titles"><b>Author &amp; Editor:</b><br>  
[mailto:chuck@observingthesky.org Charles A. Wood]</p>
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[mailto:tychocrater@yahoo.com Charles A. Wood]</p>
<p align="center" class="main_titles"><b>Technical Consultant:</b><br>
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<p align="center" class="main_titles"><b>Technical Consultant:</b><br>
[mailto:anthony@perseus.gr Anthony Ayiomamitis]</p>
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[mailto:anthony@perseus.gr Anthony Ayiomamitis]</p>
<p align="center" class="main_titles"><b>Contact Translator:</b><br>
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<p align="center" class="main_titles"><b>Contact Translator:</b><br>
[mailto:pablolonnie@yahoo.com.mx" class="one Pablo Lonnie Pacheco Railey]  (Es)<br>
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[mailto:pablolonnie@yahoo.com.mx" class="one Pablo Lonnie Pacheco Railey]  (Es)<br>
[mailto:chlegrand@free.fr" class="one Christian Legrand] (Fr)</p>
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[mailto:chlegrand@free.fr" class="one Christian Legrand] (Fr)</p>
<p align="center" class="main_titles"><b>[mailto:webuser@observingthesky.org Contact Webmaster]</b></p>
+
<p align="center" class="main_titles"><b>[mailto:webuser@observingthesky.org Contact Webmaster]</b></p>
<p align="center" class="main_titles"><b>A service of:</b><br>
+
<p align="center" class="main_titles"><b>A service of:</b><br>
[http://www.observingthesky.org/" class="one ObservingTheSky.Org]</p>
+
[http://www.observingthesky.org/" class="one ObservingTheSky.Org]</p>
<p align="center" class="main_titles"><b>Visit these other PODs:</b> <br>
+
<p align="center" class="main_titles"><b>Visit these other PODs:</b> <br>
[http://antwrp.gsfc.nasa.gov/apod/astropix.html" class="one Astronomy] | [http://www.msss.com/" class="one Mars] | [http://epod.usra.edu/" class="one Earth]</p>
+
[http://antwrp.gsfc.nasa.gov/apod/astropix.html" class="one Astronomy] | [http://www.msss.com/" class="one Mars] | [http://epod.usra.edu/" class="one Earth]</p>
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<p>&nbsp;</p>
 
<p>&nbsp;</p>
 
 
 
 
 
----
 
----
 
===COMMENTS?===  
 
===COMMENTS?===  
 
Click on this icon [[image:PostIcon.jpg]] at the upper right to post a comment.
 
Click on this icon [[image:PostIcon.jpg]] at the upper right to post a comment.

Revision as of 18:29, 4 January 2015

A Warhorse, Again

<nobr>A Warhorse, Again</nobr>

<img src="archive/2005/02/images/LPOD-2005-02-26.jpeg" border="0">

Image Credit: Richard Bosman


A Warhorse, Again

At classical music radio stations (a dying breed), program directors refer to The 1812 Overture, Beethoven’s 9th symphony, Capriccio Italian, and similar popular classics as warhorses. These very well known compositions are guaranteed crowd pleasers, but playing them reduces opportunities to hear other interesting, but less famous music. If the Moon has warhorses, they include Copernicus, Plato, Clavius, Tycho and Gassendi. But another wonderful image of Gassendi shares the same virtue of a great rendition of a musical warhorse – it exhibits new appreciation for the details and subtleties of an old friend. This image nicely illustrates the complex system of rilles, but let’s looks at what is left of the inner wall. Unlike a large fresh crater with massive terraces stepping down to the floor, Gassendi’s walls – where they exist - have subdued and rounded ridges and hills. How do sharp-scarped terraces get so ruined? Is it from seismic jostling from subsequent impacts, both nearby and Moon-wide? Or is it from the constant barrage of very small impacts that act like a river’s erosion, slowly rounding and carrying away asperities? I think I favor the former view because although Gassendi’s walls are heavily modified, its central peaks seem much less so. And there is direct evidence of the effects of nearby impacts. Notice the 33 km wide Gassendi A that just breaks Gassendi’s northern rim. Look how A’s impact has dislodged and smoothed a broad portion of Gassendi’s inner wall. That was an instantaneous bit of terrace ageing!

Chuck Wood

Technical Details:
C11 + 3X Televue Barlow + ATK-2HS; 2x150 frames.

Related Links:
Richard’s Web Site
Rukl Plate 52.

Tomorrow's LPOD: One Crater’s Nomenclature



Author & Editor:
Charles A. Wood

Technical Consultant:
Anthony Ayiomamitis

Contact Translator:
" class="one Pablo Lonnie Pacheco Railey (Es)
" class="one Christian Legrand (Fr)

Contact Webmaster

A service of:
" class="one ObservingTheSky.Org

Visit these other PODs:
" class="one Astronomy | " class="one Mars | " class="one Earth

 


COMMENTS?

Click on this icon File:PostIcon.jpg at the upper right to post a comment.