Difference between revisions of "February 24, 2011"

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<em>south up image by [mailto:c.zannelli@virgilio.it Carmelo Zannelli], Palermo, Italy</em><br />
 
<em>south up image by [mailto:c.zannelli@virgilio.it Carmelo Zannelli], Palermo, Italy</em><br />
 
<br />
 
<br />
This is one of the best views of the Moon that we get from Earth. Peering over the rugged topography <br />
+
This is one of the best views of the Moon that we get from Earth. Peering over the rugged topography  
of craters and mountains, some seen in profile, gives a strong feeling of what it must be like to be in <br />
+
of craters and mountains, some seen in profile, gives a strong feeling of what it must be like to be in  
orbit. Mel's image shows, in addition to the depths and rises of craters, the roundness of many of the <br />
+
orbit. Mel's image shows, in addition to the depths and rises of craters, the roundness of many of the  
surfaces. Every crater starts out being sharp-edged and surrounded by fractured and broken boulders. <br />
+
surfaces. Every crater starts out being sharp-edged and surrounded by fractured and broken boulders.  
Over time, bombardment by small projectiles smooths out asperities, producing the rolling terrain such <br />
+
Over time, bombardment by small projectiles smooths out asperities, producing the rolling terrain such  
as Apollo 16 astronauts rovered through. Here, parts of the rim scarps of Moretus (bottom right) and <br />
+
as Apollo 16 astronauts rovered through. Here, parts of the rim scarps of Moretus (bottom right) and  
Schomberger (upper left) are still crisp, and Schomberger A (over its namesake's shoulder) and other <br />
+
Schomberger (upper left) are still crisp, and Schomberger A (over its namesake's shoulder) and other  
small craters have very sharp rims. But seismic shaking and unceasing bombardment have smoothed <br />
+
small craters have very sharp rims. But seismic shaking and unceasing bombardment have smoothed  
out most of the other craters. <br />
+
out most of the other craters.  
 
<br />
 
<br />
 
<em>[mailto:tychocrater@yahoo.com Chuck Wood]</em><br />
 
<em>[mailto:tychocrater@yahoo.com Chuck Wood]</em><br />
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Rükl plate [http://the-moon.wikispaces.com/R%C3%BCkl+73 73]<br />
 
Rükl plate [http://the-moon.wikispaces.com/R%C3%BCkl+73 73]<br />
 
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<hr />
 
<p><b>Yesterday's LPOD:</b> [[February 23, 2011|After Years of Wanting And Waiting*]] </p>
 
<p><b>Yesterday's LPOD:</b> [[February 23, 2011|After Years of Wanting And Waiting*]] </p>
 
<p><b>Tomorrow's LPOD:</b> [[February 25, 2011|Back To the Drawing Board]] </p>
 
<p><b>Tomorrow's LPOD:</b> [[February 25, 2011|Back To the Drawing Board]] </p>
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Revision as of 14:39, 1 March 2015

The Top of the World

LPOD-Feb24-11.jpg
south up image by Carmelo Zannelli, Palermo, Italy

This is one of the best views of the Moon that we get from Earth. Peering over the rugged topography of craters and mountains, some seen in profile, gives a strong feeling of what it must be like to be in orbit. Mel's image shows, in addition to the depths and rises of craters, the roundness of many of the surfaces. Every crater starts out being sharp-edged and surrounded by fractured and broken boulders. Over time, bombardment by small projectiles smooths out asperities, producing the rolling terrain such as Apollo 16 astronauts rovered through. Here, parts of the rim scarps of Moretus (bottom right) and Schomberger (upper left) are still crisp, and Schomberger A (over its namesake's shoulder) and other small craters have very sharp rims. But seismic shaking and unceasing bombardment have smoothed out most of the other craters.
Chuck Wood

Technical Details
Feb 13, 2011, 1955 UT. C14 @ f/22 + PGR Fleas3 camera + Baader-Zeiss Abbe Barlow 2x + Baader
IR-685 nm filter; The camera is very bright in Red/IR channel so, I could use high frame rates (about 90/
100 fps) and fast times which give me about 4/5000 acquired frames for each AVi film. So, I stacked only
200 of about 5000 frames.

Related Links
Rükl plate 73


Yesterday's LPOD: After Years of Wanting And Waiting*

Tomorrow's LPOD: Back To the Drawing Board


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