Difference between revisions of "December 20, 2004"

From LPOD
Jump to: navigation, search
(Created page with "__NOTOC__ =Bi-Colored Moon= <table width="85%" border="0" align="center" cellpadding="6" cellspacing="2"> <tr> <td width="50%"></td> </tr> </table> <table width="85%" b...")
 
Line 1: Line 1:
 
__NOTOC__
 
__NOTOC__
 
=Bi-Colored Moon=
 
=Bi-Colored Moon=
 
 
<table width="85%"  border="0" align="center" cellpadding="6" cellspacing="2">
 
<table width="85%"  border="0" align="center" cellpadding="6" cellspacing="2">
<tr>
+
<tr>
<td width="50%"></td>
+
<td width="50%"><h2><nobr>Bi-Colored Moon</nobr></h2></td>
</tr>
+
</tr>
 
</table>
 
</table>
 
<table width="85%"  border="0" align="center" cellpadding="6" cellspacing="2">
 
<table width="85%"  border="0" align="center" cellpadding="6" cellspacing="2">
<tr><td colspan="2" valign="top"><div align="center">
+
<tr><td colspan="2" valign="top"><div align="center">
[#"
+
[#"
onMouseOver = "document.images['main_image'].src='archive/2004/12/images/LPOD-2004-12-20b.jpeg'; return true"  
+
onMouseOver = "document.images['main_image'].src='archive/2004/12/images/LPOD-2004-12-20b.jpeg'; return true"  
onMouseOut = "document.images['main_image'].src='archive/2004/12/images/LPOD-2004-12-20.jpeg'; return false  
+
onMouseOut = "document.images['main_image'].src='archive/2004/12/images/LPOD-2004-12-20.jpeg'; return false  
<img src="archive/2004/12/images/LPOD-2004-12-20.jpeg" name="main_image" border="0" id="main_image">]
+
<img src="archive/2004/12/images/LPOD-2004-12-20.jpeg" name="main_image" border="0" id="main_image">]
</div></td>
+
</div></td>
    </tr>
+
</tr>
 
</table>
 
</table>
 
<table width="80%"  border="0" align="center" cellpadding="8">
 
<table width="80%"  border="0" align="center" cellpadding="8">
    <tr><td><div align="center" class="main_sm">Image Credit: [mailto:filipe@pixmix.tv Filipe Aves]</p>
+
<tr><td><div align="center" class="main_sm">Image Credit: [mailto:filipe@pixmix.tv Filipe Aves]</p>
</div></td>
+
</div></td>
</tr>   
+
</tr>   
</table>   
+
</table>   
 
<br>
 
<br>
 
<table class="story" border="0" bgcolor="#FFFFFF" width="90%" cellpadding="10" align="center"><tr><td>
 
<table class="story" border="0" bgcolor="#FFFFFF" width="90%" cellpadding="10" align="center"><tr><td>
<p align="center"><b>Bi-Colored Moon</b></p>
+
<p align="center"><b>Bi-Colored Moon</b></p>
<p align="left"> [http://www.lpod.org/archive/2004/03/LPOD-2004-03-07.htm Early] this year, Portuguese imager Filipe Aves demonstrated that a normal digital camera can capture the subtle colors of the lunar surface and that relatively simple processing can enhance them. Filipe's latest image reflects his continuing refinement of the technique, including stacking images to reduce noise and increase color saturation. In this image the Moon is largely two colors - blues and oranges. But look closely for this bi-coloration isn't just the mare-highlands compositional dichotomy. Within Mare Imbrium and nearby Oceanus Procellarum (see mouseover) both these colors appear. The blues are generally younger basalts that are titanium rich, and the oranges are older, Ti-poor lavas. Lighter-hued golds also appear in the highlands but these are not basalts. The Galileo color composite  [http://www.lpod.org/archive/2004/05/LPOD-2004-05-10.htm image] - made with a billion dollar spacecraft and separate filtered images - distinguishes the highlands from the Ti-poor basalts. Other amateurs should explore this technique - Felipe's [http://www.colormoon.pt.to/ web site] shows you how - using high resolution images to investigate the details of lava flows and topography. For example - do domes or sinuous rilles occur preferentially in lavas of certain colors/compositions?</p>
+
<p align="left"> [http://www.lpod.org/archive/2004/03/LPOD-2004-03-07.htm Early] this year, Portuguese imager Filipe Aves demonstrated that a normal digital camera can capture the subtle colors of the lunar surface and that relatively simple processing can enhance them. Filipe's latest image reflects his continuing refinement of the technique, including stacking images to reduce noise and increase color saturation. In this image the Moon is largely two colors - blues and oranges. But look closely for this bi-coloration isn't just the mare-highlands compositional dichotomy. Within Mare Imbrium and nearby Oceanus Procellarum (see mouseover) both these colors appear. The blues are generally younger basalts that are titanium rich, and the oranges are older, Ti-poor lavas. Lighter-hued golds also appear in the highlands but these are not basalts. The Galileo color composite  [http://www.lpod.org/archive/2004/05/LPOD-2004-05-10.htm image] - made with a billion dollar spacecraft and separate filtered images - distinguishes the highlands from the Ti-poor basalts. Other amateurs should explore this technique - Felipe's [http://www.colormoon.pt.to/ web site] shows you how - using high resolution images to investigate the details of lava flows and topography. For example - do domes or sinuous rilles occur preferentially in lavas of certain colors/compositions?</p>
<blockquote><p align="right">&#8212; [mailto:chuck@observingthesky.org Chuck Wood]</blockquote>
+
<blockquote><p align="right">&#8212; [mailto:tychocrater@yahoo.com Chuck Wood]</blockquote>
 
<p align="left"><p><b>Technical Details:</b><br>
 
<p align="left"><p><b>Technical Details:</b><br>
 
This image is the result of a composite of several moon images taken on 4 December 2004. I used 15 raw images taken with a Canon 300D mounted at the prime focus of a 10" Newtonian. I used Photoshop to enhance the saturation levels of a group of stacked images at 16-bit per channel/pixel. </p>
 
This image is the result of a composite of several moon images taken on 4 December 2004. I used 15 raw images taken with a Canon 300D mounted at the prime focus of a 10" Newtonian. I used Photoshop to enhance the saturation levels of a group of stacked images at 16-bit per channel/pixel. </p>
Line 33: Line 32:
 
<p><hr>
 
<p><hr>
 
<b>VOTE FOR YOUR FAVORITE LPODs!</b><br>
 
<b>VOTE FOR YOUR FAVORITE LPODs!</b><br>
During Dec 25 thru Dec 31 LPOD will feature LPODs from the past year that visitors like best. Send [mailto:chuck@observingthesky.org me] an email with your favorite seven LPODs - include their titles and the dates they appeared. Thanks! </p>
+
During Dec 25 thru Dec 31 LPOD will feature LPODs from the past year that visitors like best. Send [mailto:tychocrater@yahoo.com me] an email with your favorite seven LPODs - include their titles and the dates they appeared. Thanks! </p>
<p><img src="MainPage/spacer.gif" width="640" height="1"></p></td>
+
</tr>
</tr>
 
 
</table>
 
</table>
 
<br>
 
<br>
 
<table width="100%"  border="0" cellspacing="2" cellpadding="4">
 
<table width="100%"  border="0" cellspacing="2" cellpadding="4">
<tr>
+
<tr>
<td><hr width="640"></td>
+
<td><hr></td>
</tr>
+
</tr>
<tr><td>
+
<tr><td>
<p align="center" class="main_titles"><b>Author &amp; Editor:</b><br>  
+
<p align="center" class="main_titles"><b>Author &amp; Editor:</b><br>  
[mailto:chuck@observingthesky.org Charles A. Wood]</p>
+
[mailto:tychocrater@yahoo.com Charles A. Wood]</p>
<p align="center" class="main_titles"><b>Technical Consultant:</b><br>
+
<p align="center" class="main_titles"><b>Technical Consultant:</b><br>
[mailto:anthony@perseus.gr Anthony Ayiomamitis]</p>
+
[mailto:anthony@perseus.gr Anthony Ayiomamitis]</p>
<p align="center" class="main_titles"><b>Contact Translator:</b><br>
+
<p align="center" class="main_titles"><b>Contact Translator:</b><br>
[mailto:pablolonnie@yahoo.com.mx" class="one Pablo Lonnie Pacheco Railey]  (Es)<br>
+
[mailto:pablolonnie@yahoo.com.mx" class="one Pablo Lonnie Pacheco Railey]  (Es)<br>
[mailto:chlegrand@free.fr" class="one Christian Legrand] (Fr)</p>
+
[mailto:chlegrand@free.fr" class="one Christian Legrand] (Fr)</p>
<p align="center" class="main_titles"><b>[mailto:webuser@observingthesky.org Contact Webmaster]</b></p>
+
<p align="center" class="main_titles"><b>[mailto:webuser@observingthesky.org Contact Webmaster]</b></p>
<p align="center" class="main_titles"><b>A service of:</b><br>
+
<p align="center" class="main_titles"><b>A service of:</b><br>
[http://www.observingthesky.org/" class="one ObservingTheSky.Org]</p>
+
[http://www.observingthesky.org/" class="one ObservingTheSky.Org]</p>
<p align="center" class="main_titles"><b>Visit these other PODs:</b> <br>
+
<p align="center" class="main_titles"><b>Visit these other PODs:</b> <br>
[http://antwrp.gsfc.nasa.gov/apod/astropix.html" class="one Astronomy] | [http://www.msss.com/" class="one Mars] | [http://epod.usra.edu/" class="one Earth]</p>
+
[http://antwrp.gsfc.nasa.gov/apod/astropix.html" class="one Astronomy] | [http://www.msss.com/" class="one Mars] | [http://epod.usra.edu/" class="one Earth]</p>
</td></tr>
+
</td></tr>
 
</table>  
 
</table>  
 
<p>&nbsp;</p>
 
<p>&nbsp;</p>
 
 
 
 
 
----
 
----
 
===COMMENTS?===  
 
===COMMENTS?===  
 
Click on this icon [[image:PostIcon.jpg]] at the upper right to post a comment.
 
Click on this icon [[image:PostIcon.jpg]] at the upper right to post a comment.

Revision as of 18:28, 4 January 2015

Bi-Colored Moon

<nobr>Bi-Colored Moon</nobr>

[#" onMouseOver = "document.images['main_image'].src='archive/2004/12/images/LPOD-2004-12-20b.jpeg'; return true" onMouseOut = "document.images['main_image'].src='archive/2004/12/images/LPOD-2004-12-20.jpeg'; return false <img src="archive/2004/12/images/LPOD-2004-12-20.jpeg" name="main_image" border="0" id="main_image">]

Image Credit: Filipe Aves


Bi-Colored Moon

Early this year, Portuguese imager Filipe Aves demonstrated that a normal digital camera can capture the subtle colors of the lunar surface and that relatively simple processing can enhance them. Filipe's latest image reflects his continuing refinement of the technique, including stacking images to reduce noise and increase color saturation. In this image the Moon is largely two colors - blues and oranges. But look closely for this bi-coloration isn't just the mare-highlands compositional dichotomy. Within Mare Imbrium and nearby Oceanus Procellarum (see mouseover) both these colors appear. The blues are generally younger basalts that are titanium rich, and the oranges are older, Ti-poor lavas. Lighter-hued golds also appear in the highlands but these are not basalts. The Galileo color composite image - made with a billion dollar spacecraft and separate filtered images - distinguishes the highlands from the Ti-poor basalts. Other amateurs should explore this technique - Felipe's web site shows you how - using high resolution images to investigate the details of lava flows and topography. For example - do domes or sinuous rilles occur preferentially in lavas of certain colors/compositions?

Chuck Wood

Technical Details:
This image is the result of a composite of several moon images taken on 4 December 2004. I used 15 raw images taken with a Canon 300D mounted at the prime focus of a 10" Newtonian. I used Photoshop to enhance the saturation levels of a group of stacked images at 16-bit per channel/pixel.

Related Links:
How to capture the color of the Moon

Tomorrow's LPOD: Full Moon and High Res


VOTE FOR YOUR FAVORITE LPODs!

During Dec 25 thru Dec 31 LPOD will feature LPODs from the past year that visitors like best. Send me an email with your favorite seven LPODs - include their titles and the dates they appeared. Thanks!



Author & Editor:
Charles A. Wood

Technical Consultant:
Anthony Ayiomamitis

Contact Translator:
" class="one Pablo Lonnie Pacheco Railey (Es)
" class="one Christian Legrand (Fr)

Contact Webmaster

A service of:
" class="one ObservingTheSky.Org

Visit these other PODs:
" class="one Astronomy | " class="one Mars | " class="one Earth

 


COMMENTS?

Click on this icon File:PostIcon.jpg at the upper right to post a comment.