Difference between revisions of "April 26, 2013"
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=Smudge of an Eclipse= | =Smudge of an Eclipse= | ||
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| − | <em>image by [mailto:jupiter182002@yahoo.ca Maximilian Teodorescu], Dumitrana, Romania</em><br /> | + | <em>image by [mailto:jupiter182002@yahoo.ca" rel="nofollow Maximilian Teodorescu], Dumitrana, Romania</em><br /> |
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Since we've just had in Europe a small partial lunar eclipse, here is the first result. The image presents the "maximum" of the eclipse, in both "normal" coloring (that is without saturating the colors) and also in an exaggerated view of the colors. Interesting to note the general yellowish color accentuated by the shadow (or from the penumbra itself), yet a bluish-red coloring of the umbra. <br /> | Since we've just had in Europe a small partial lunar eclipse, here is the first result. The image presents the "maximum" of the eclipse, in both "normal" coloring (that is without saturating the colors) and also in an exaggerated view of the colors. Interesting to note the general yellowish color accentuated by the shadow (or from the penumbra itself), yet a bluish-red coloring of the umbra. <br /> | ||
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| − | [mailto:jupiter182002@yahoo.ca Maximilian Teodorescu]<br /> | + | [mailto:jupiter182002@yahoo.ca" rel="nofollow Maximilian Teodorescu]<br /> |
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<strong>Technical Details</strong><br /> | <strong>Technical Details</strong><br /> | ||
Revision as of 21:44, 4 January 2015
Smudge of an Eclipse
image by " rel="nofollow Maximilian Teodorescu, Dumitrana, Romania
Since we've just had in Europe a small partial lunar eclipse, here is the first result. The image presents the "maximum" of the eclipse, in both "normal" coloring (that is without saturating the colors) and also in an exaggerated view of the colors. Interesting to note the general yellowish color accentuated by the shadow (or from the penumbra itself), yet a bluish-red coloring of the umbra.
" rel="nofollow Maximilian Teodorescu
Technical Details
April 25, 2013, 20:08 U.T. 8" Newtonian @F/5, Canon 550D. Baader MPCC coma corector. The image is a stack of 20 exposures at ISO 100 and 20 exposures at ISO 400, all 1/250s.
